Wednesday, May 19, 2010

1998-The Year of M.A.C.



7th grade was fun because ignorance is bliss. We never really knew how ugly we truly were until years later, when in retrospect, we had the clarity that allowed us to acknowledge the intensity of our awkwardness. We were, however, aware of 7th grade boys, and knew that we were not what they wanted. 7th grade boys like the 7th grade girls who look approximately two years older than the rest of their female counterparts. These girls, the "developed" girls, were not necessarily the nicest--the 7th grade hierarchy made them Queens, while we were merely court jesters. Even if you hung out with these girls and were considered "cool," once the boys were in sight, the cruelty of 7th grade set in. Resembling the little boy from "3rd Rock from the Sun" (yes, Joseph Gordon Levitt is, like, so totally hot NOW...) is not an easy feat when you're 13. Not to mention, looking like a chubby version of your little brother doesn't score you any points when you are mistaken for him at the middle school dance. Although we were out of touch with our appearance, at the same time we were consumed by it. Being 13 was difficult. Enter M.A.C. cosmetics.
We believed that by applying frosted white eye shadow, matching pink lipstick, and copious amounts of sparkles, we could deceive the population of 13-year-old boys into thinking we were Jenny McCarthy. We used M.A.C as a device to distract from our awkward, unappealing, 13-year-old selves...or so we thought. In reality, frosting ourselves only enabled us to live out our feudal sentence as entertainment for the popular masses. M.A.C. did not stop Lauren and Blair from spreading a rumor that Emily's mom shaved her legs for her. Nor did it stop Holly from refusing to share her sour lemon War Heads with "dork" Julia. Despite the fact that M.A.C. was not our Fairy Godmother, our tubes of lipglass served as a much needed security blanket for the harsh world that is 7th grade.

M.A.C., this 7th grade song is for you.

Saturday, May 15, 2010

A Salute to Paul Newman




Dear Paul Newman,
We are sorry that you are no longer with us. Your absence has left a void in the world of devastatingly handsome men. Yes, we have our James Francos and Leonardo Dicaprios (both of whom happen to be in Emily and Julia's Top 5, respectively), but they lack a certain charm, leaving something to be desired: you. You are the reason that there are cliches about piercing blue eyes. You came from a time when mothers taught their sons to remove their hats when a lady entered the room, and hold the door as she left. You can sail a boat, turn a tree into a cabin, and let's face it...fighting the Nazis is hot, especially while a Marlboro Red dangles nonchalantly from your perfect pout. We know you are a respected actor, but this is not the reason we love you. In fact, we have seen very few of your films. To be honest, you could have become rich and famous on your looks alone. Your salad dressing is pretty good, but the fact that the label bares your image is what keeps us coming back for more; bravo to the marketing staff of Newman's Own. Even though we have been warned by our mothers to never accept a ride from a stranger, if you pulled up in your Datsun, nothing could stop us from getting in. And not to mention, having been nineteenth on Dick Nixon's enemy list only attracts us more. Are you purposefully trying to seduce little old us? Your philanthropy is adorable too. But at the end of the day we would really like to know how you aged so gracefully, all while maintaining the perfect tan...

We believe only the great Sir Tom Jones can express our feelings for you in words: Paul Newman, you can leave your hat on.




tom jones - you can leave your hat on.mp3
Found at bee mp3 search engine

Saturday, May 1, 2010

Thank you, Bill Clinton...

We do not feel like adults; we do not know how to be adults. We've been produced and packaged and shipped off by American idealism. We have completed sixteen years of prestigious private education, followed by four years at a small, liberal arts college. Just like our childhood friend, Eloise, we had grown accustomed to simply saying, "charge it please and thank you very much." We were fussed with and groomed to their liking, all to be pushed out of the Plaza Hotel and jolted by reality. We know we are lucky. However, right now our lives resemble a Monet: "from far away its okay...but up close, its just a big old mess." Two years out of college we are still lost, yet faced with rigid societal expectations about what we should be doing and who we should be. After fighting and avoiding our inevitable transition from adolescent to adult, we realize that in order to enjoy growing up, we must willingly let got of the past.

We are children of the prosperous 1990s. We are children of Bill Clinton, Ace of Base, and TGIF. We went on family vacations, received tricked-out American Girl dolls from our overindulgent grandparents, watched countless hours of Nickelodeon, and learned through MTV News that The Notorious B.I.G. had been shot. We expected eight gifts for Hanukkah, chatted incessantly on our personal telephone lines, and listened to Tragic Kingdom on repeat. We never knew a divided Germany, the USSR was a song by the Beatles, Elton John was always gay, and what was the Gulf War? As our generation has been particularly pampered and indulged, it is perhaps even more difficult for us to recognize and concede the fact that we must indeed leave the comfort of our childhoods behind and become adults.

Upon penetrating the “real world” and departing from our known selves, we are faced with many expectations from society with which we are only theoretically familiar. We are expected to marinate in the juices of our forefathers and live the "American Dream" by embracing the opportunities with which we are presented. We fantasize about our glory days, but in reality, the 90s are over. We have been blindsided by the weak dollar, the competitive and dwindling job market, and worldwide ecological and social turbulence. We bear the burden of satisfying and appeasing both societal and parental expectations, while struggling not to compromise our ideals and identities. With college far behind us, we are continuously harassed and advised about what to do with our adult lives. Society has imposed so much upon our generation, that we feel before we begin to mend what we have inherited, we must figure things out for ourselves. What does it mean to no longer be a child? Who are we in 2010?

We don’t pretend to know the answers, yet we can attest to the fact that we have spent the last two years trying to figure them out. After college graduation, we worked menial jobs and lived with our parents for the sole purpose of our South American Odyssey. We went, we had fun, we came back. Now, nine months after we have returned, we are no more enlightened or aware than we were before we left. Our allotted period for self-discovery has come to an end, along with our romanticized versions of our former selves. We realize that the lives we once lived are now an unattainable fantasy, a figment of the 1990s. Overwhelmed by our opportunities, yet stifled by the hemorrhaging global condition, we are puzzled. Our one certainty is that we are looking to be inspired. We are looking to “damn the man, save the empire,” but our inner monologue of uplifting 90s pop culture has greatly disillusioned us with its false promises. We know that our current state of confusion is not unique; every adult has gone through this transition, especially Lelaina Pierce, who had the good fortune to come of age while The Gap still sold denim separates. However, as everything thus far has been mapped out for us, the uncertainty of our next step is daunting.

As children, our future projections of ourselves never reached as far as twenty-four. Yet here we are. We may end up wasting many years on the self-indulgence of our disarray, but why wouldn’t we?






 Kim Wilde - Kids In America .mp3
Found at bee mp3 search engine

Wednesday, March 24, 2010

you make me feel like dancing

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Leo Sayer - You Make Me feel Like Dancing .mp3
Found at bee mp3 search engine

Tuesday, March 9, 2010

Piriapolis, Uruguay: a sun-filled, Latin world

Faded pick up trucks cruise around town blasting reggaeton, salsa, and even some good Bat Mitzvah music, with tan individuals piled into the back. No one here is light. Even the children are a shade of golden molasses--running barefoot around the small beach town to get their gelato. Everyday we purchase two white chaises from 15 year old Uruguayan nuggets, who have been browned to perfection by their daily intake of ultraviolet rays. They have become a staple and our greatest source of entertainment. They make us giggle like school girls, which is sick, because we're almost 10 years their seniors.

It stays light forever; the sun is completely set at 9 pm.

And here is the best part: as the sun begins its slow descent at 6:30 pm, the entire population crowding the bright, early evening beach begin to applaud the sun for all its glory. Some even bid farewell to the benevolent orb with a standing ovation.

This is the truest and purest form of Tan Culture.

 Orishas - Naci Orishas .mp3
Found at bee mp3 search engine